ISSN 1883-1095
Aesthetics
CONTENTS
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Bachelard’s theory of time: Missing link between science and art
1-9 HASHIZUME Keiko [Abstract] [Text(PDF)] An Aspect of Undoing Aesthetics: On W. Welsch’s Aesthetics of Sport 11-21 HIGUCHI Satoshi [Abstract] [Text(PDF)] Augustine on the Aesthetics of Ambivalence 23-32 HIKASA Katsushi [Abstract] [Text(PDF)] Le probleme du style et de l’historicité dans l’étude de Merleau-Ponty sur la peinture 33-43 KAWASE Tomoyuki [Abstract] [Text(PDF)] Transmission of Creativity: An Essay on the Aesthetics of Henri Bergson 45-57 MURAKAMI Ryu [Abstract] [Text(PDF)] Friedrich Schlegel and the Idea of Fragment: A Contribution to Romantic Aesthetics 59-68 OTABE Tanehisa [Abstract] [Text(PDF)] Herder’s Theory of Common Sense: The Birth of the Concept of Synesthesia 69-81 SUGIYAMA Takashi [Abstract] [Text(PDF)] Imagination et analogie chez Bergson : la logique de l’intuition 83-95 TAKI Ichiro [Abstract] [Text(PDF)] Die Redlichkeit des Künstlers in Nietzsches Gedankentum 97-109 YAMAMOTO Keiko [Abstract] [Text(PDF)] The Art Competitions in the Modern Olympic Games: Rethinking the Boundary Problem between Art and Sport 111-120 YOSHIDA Hiroshi [Abstract] [Text(PDF)] Is logical analysis adaptable for art criticism?: A comparison between Russell and Fry 121-130 KANAME Mariko [Abstract] [Text(PDF)] Dürer and Sesshū as Spiritual History: Godness and Emptiness 131-140 ŌHASHI Ryōsuke [Abstract] [Text(PDF)] Le parfum et le signe : à propos du Genji-kô-no-zu 141-151 IWASAKI Yoko [Abstract] [Text(PDF)] Reclusion and Poetry: reconsidering Kamo no Chomei’s Hojoki and Hosshinshu 153-166 TAMAMURA Kyo [Abstract] [Text(PDF)] Consideration of the theatrical concepts at the Bauhaus: Schreyer, Gropius and Schlemmer 167-178 AOKI Kanae [Abstract] [Text(PDF)] Another Solution to the Polyhedron in Durer’s Melencolia: A Visual Demonstration of the Delian Problem 179-194 ISHIZU Hideko [Abstract] [Text(PDF)] Le domaine de l’image : la particularité d’Yves Tanguy au surréalisme 195-205 NAGAO Takashi [Abstract] [Text(PDF)] Zwei Schriftbilder von Paul Klee aus dem Jahre 1921: «Schriftbild aus dem Hohen Lied “Er küsse mich mit seines Mundes Kuss” (Fassungen I und II)» im Zusammenhang mit der von Klees Vater, Hans Klee, nachgedichteten “Biblischen Poesie in deutschmetrischer Fassung: Das Hohe Lied” 207-219 NODA Yubii [Abstract] [Text(PDF)] The Evangelists of the Maiestas domini in the Parma Gospel Book, Biblioteca Palatina di Parma, MS gr. 5 221-233 SAKURAI Yuriko [Abstract] [Text(PDF)] The Founding of Bunriha Kenchiku Kai: “Art” and “Expression” in Early Japanese Architectural Circle, 1888-1920 235-248 AMANAI Daiki [Abstract] [Text(PDF)] Koga Harue’s Sea (1929) and “Soluble Fish”: Proletarian Art, Max Ernst, Bauhaus and the Volte-Face of Machine Aesthetics 249-267 NAGATA Ken’ichi [Abstract] [Text(PDF)] Chouhou by Yokoyama Taikan and “Expression”: Expressions of the character’s emotion in His Art 269-282 UEDA Sayoko [Abstract] [Text(PDF)] A look at some original paintings by Yoshitaki: Development from the late Edo period to the Meiji period 283-296 YAMAMOTO Sumiko [Abstract] [Text(PDF)] |