NUMBER 22 (August 2018)Edited by the JSA
CONTENTS
| Rhetorik der Zeichen: A. G. Baumgartens Anwendung rhetorischer Figuren auf die bildende Kunst IOKU Yoko |
Abstract Text (pdf) 1-15 |
| Heidegger und die moderne Malerei SEKIGUCHI Hiroshi |
Abstract Text (pdf) 16-28 |
| Transformation et significations de la notion de lyrisme : À propos des théories de l’art dans les annees 1910-20 UDA Hitomi |
Abstract Text (pdf) 29-39 |
| Le tableau d’autel du Roi: L’Institution de l’eucharistie de Nicolas Poussin MOCHIZUKI Noriko |
Abstract Text (pdf) 40-54 |
| The dome painting of San Giovanni Evangelista in Parma: The relationship between Correggio’s form and content, depending on the viewer and the viewer’s position YURIKUSA Mariko |
Abstract Text (pdf) 55-69 |
| Reconsidering “The Japan International Art Exhibition (Tokyo Biennale)”: The Intentions of International Art Exhibitions in Japan After WWII YAMASHITA Kohei |
Abstract Text (pdf) 70-86 |
| The Modernist Landscape of Waves and Wars in Britain: A Comparison Between Vorticist Works and Korin’s Screens KANAME Mariko |
Abstract Text (pdf) 87-96 |
| Visual Theory in Antonioni’s Blow-Up and its Source, Cortázar’s “Las babas del diablo”: A Psychoanalytic Point of View IJUIN Takayuki |
Abstract Text (pdf) 97-106 |
Editorial Board
Editors
TANOGASHIRA Kazutomo (Osaka University of Arts, Osaka)
NAKAMA Yuko (Ritsumeikan University, Kyoto)
SAKAGAMI Keiko (Waseda University, Tokyo)
HIRAYAMA Keiji (Tokyo Polytechnic University, Tokyo)
Editorial Secretary
SUMIDA Shoko (Ritsumeikan University)
Aesthetics is the annual online journal edited and released
by the Japanese Society for Aesthetics (JSA).
Contribution to this journal is limited to the members of the JSA
until notified as otherwise.
© The Japanese Society for Aesthetics